Photo Gear

I recently had a chance to stretch some dormant photography muscles, during a trip to San Francisco. It was a quick, couple day jaunt and I traveled pretty light. In terms of camera equipment, I packed my Nikon D7000 along with a Nikon 24-70mm. For times requiring more subtlety, I decided on the Panasonic GF1 along with the 20mm pancake. I debated between taking the 24-70 or the 16-35, and actually settled on the wider lens. However, in the rush of the morning, I forgot which lens was on the camera and ran out the door. In retrospect, I think the 24-70 was the right choice.

The D7000 with 24-70 mounted is a monstrosity. Yes, a beautiful combination, in my opinion, but a monstrosity nonetheless. While it doesn’t tire me out during a day of walking around the city, it’s a bit unwieldy, showy, and doesn’t work well inside cramped shops and restaurants. That’s where the GF1 + 20mm came into the picture.

It’s compact enough to fit into an interior pocket of my light jacket. It creates a bulge with its lens protruding, but leaves my hands and neck free. It’s effortless to get out for a photo. It’s also far less conspicuous. It’s not so in-your-face like the 24-70mm. Furthermore, it’s backed up by great image quality and is a pretty useful walk about focal length.

I haven’t followed micro 4/3 news in a while, so when I found out the spiritual successor to my GF1 has arrived in the form of the GX1, I was stoked. I also discovered the wonderful Olympus 12mm f/2.0 and 45mm f/1.8 lenses, which have received glowing reviews. The combination of those two, plus the 20mm, should make for a high quality, small, carry around set. There were some situations where the 20mm alone was a bit constricting. The 12mm and 45mm should solve any inflexibility.

Then, big news came out of Nikon recently. The D800, long waited successor to the D700, was released with a whopping 36MP sensor. I purchased the 16-35mm and 24-70mm with the intention to eventually move to full-frame, but what I was hoping for in a D700 successor was something that focused a bit more on improving high-ISO performance, while moving the resolution bar ahead, slightly. Instead, we have a sensor that is 2.25X the resolution of the D7000 and, get this, 2.25X the size (area). While I’d be surprised if the D800 doesn’t have better noise performance over the D7000, I’m not betting it’ll be even a single stop better. Does this mean that I now need a D4 to get what I was looking for? A bit too rich and serious for my blood, I think.

At the same time, I can’t deny the attraction of the D800e for landscape. I wonder if the 16-35 or 24-70 will be outmatched by the resolving power of a LPF-less 36MP sensor. I’m eagerly awaiting reviews on that one.


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